- Review: Suzanne Smith – The Altar Boys
- Review: James Griffiths – Speak Not: Empire, Identity and the Politics of Language
- Review: C. Pam Zhang – How Much of These Hills Is Gold
- Review: Jenny Chan, Mark Selden, Pun Ngai – Dying for an iPhone
- Review: Vincent Bevins – The Jakarta Method
- Review: Ai Weiwei – 1000 Years of Joys and Sorrows
- Review: Richard Chambers – A State of Emergency: The Story of Ireland’s Covid Crisis & Luke O’Neill – Keep Calm and Trust the Science
- Review: Patrick Modiano – Villa Triste
- Review: Michel Houellebecq – Soumission
- What’s in a Name? How a Writer’s Name Can Make or Break the Popularity of Their Work
- A Categorically Great Writer – Georges Perec
- Lost in Translation: The Curious Obscurity of António Lobo Antunes (an interview)
- Review: Shlomo Sand – The Invention of the Jewish People
- Review: Eric Hazan – The Invention of Paris
- Review: Thomas Flanagan – The Year of the French
- Why I Love…Slavoj Zizek
- Review: David Sirota – Back to Our Future
-
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OLIVER FARRY 